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This is the real plugin — click a tool
It learns your style, then does the boring half.
7-day free trial · No credit card required · All tools included
Built by a working editor · 250M+ views cut for
Each one analyses the sequence, does the tedious part, and hands it back as normal clips on labelled tracks. Nothing is locked, nothing is rendered, nothing is decided for you. Click any tool to load it above.
Onboard a client once. Show FramePal five of their finished videos, tell it the brief, and every edit after that already knows the style.
Measured off the files with ffmpeg — not guessed. Every tool opens on these numbers.
I'm Titan. I edit full time — around 250 million views of delivered work for channels like the Stokes Twins, Kwebbelkop and McCreamy. Most of that job isn't editing. It's hunting for a reaction clip, cutting dead air, keyframing the four-hundredth zoom.
FramePal does that half for me, in my style, so I get to the part that actually needs an editor hours earlier. It's an assistant, not a replacement — you still make every call.
See my editing work →
ST
KK
MC
+ Packgod, Loserfruit, FNATIC, Ben Black and more
One client video, broken down by what actually eats the hours.
Illustrative, from my own edits — your numbers depend on the footage and the brief. The creative pass doesn't shrink, and it isn't supposed to.
"My rough cut used to eat the whole first day of every job. Now it's done before lunch and I spend that day on jokes and polish instead. I took on two more retainers because of it."
"Client Notes alone pays for it. I paste the feedback email and the changes are staged on the timeline waiting for me to approve. Revision rounds went from a day to about an hour."
"I keep a profile per client. Five videos in, it already knows how dense that client likes their inserts. It doesn't fight my workflow — it deletes the boring part of it."
// beta feedback, anonymized — swap in named quotes at launch
Every plan starts with a 7-day free trial, all tools unlocked. Cancel in two clicks from your dashboard.
For creators editing their own channel
For editors shipping client work weekly
For agencies & multi-editor channels
Premiere Pro 2024 and newer, on macOS and Windows. DaVinci Resolve and Final Cut are in development — join the Discord to vote which ships first.
Yes. FramePal works inside your project and only the transcript is processed for analysis — video files never leave your machine. That matters when you're under NDA, so it's built that way by default.
You point FramePal at five delivered videos from a client. It analyses the pacing, cut rhythm, caption style and colour, then matches them. Keep one profile per client and switch between jobs in a click. Profiles are per-account and never train a shared model.
No — and it can't. FramePal has no taste. It doesn't know which joke lands, where a story should breathe, or what a client actually meant by "make it punchier". It does the labour: finding takes, cutting dead air, placing inserts, syncing zooms. You still make every judgement call and sign off on every change. The editors who get squeezed are the ones competing on hours, not the ones competing on taste.
Yes — every license activates on up to 2 devices. Free a slot anytime from your dashboard, so switching machines never needs a support ticket.
The panel locks, your timeline doesn't. Everything FramePal placed stays in your project as normal clips forever. Subscribe from your dashboard to keep going.
Yes — self-serve in the dashboard, two clicks, and your license stays active until the end of the billing period. No emails, no retention calls.